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Everyman – Philip Roth
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EVERYMAN

Philip Roth
WELL USED, PAPERBACK

RM14.00

Intimate Yet Universal Fiction Story of Loss, Regret, And Stoicism

Remarks Free Cover-Pages Wrapping
ISBN 9780099501466
Book Condition WELL USED
Format PAPERBACK
Publisher Vintage Publishing
Publication Date 29 Nov 2008
Pages 191
Weight 0.28 kg
Dimension 20 × 13 × 1.5 cm
Availability: 1 in stock

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★★ WINNER OF THE PEN/FAULKNER AWARD FOR FICTION 2007 ★★
 
Everyman is a candidly intimate yet universal story of loss, regret and stoicism. The novel takes its title from a classic of early English drama, whose theme is the summoning of the living to death.
 
The bestselling author of The Plot Against America now turns his attention from “one family’s harrowing encounter with history” (New York Times) to one man’s lifelong skirmish with mortality. The fate of Roth’s everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes.
 
A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him. He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he’s made a mess of marriage. In the end he is a man who has become what he does not want to be.


The book begins at the funeral of its protagonist. The remainder of the book, which ends with his death, looks mournfully back on episodes from his life, including his childhood, where he and his older brother, Howie, worked in his father’s shop, Everyman’s Jewelry Store.
 
He has been married three times, with two sons from his first marriage who resent him for leaving their mother, and one daughter from his second marriage who treats him with kindness and compassion, though he divorced her mother after beginning an affair with a 24-year-old Danish model, who subsequently became his third wife.
 
Having divorced her as well, he has moved in his old age to a retirement community at the New Jersey shore, where he lives alone and attempts to paint, having passed up a career as an artist early in his life to work in advertising in order to support himself and his family.
 
The book traces the protagonist’s feelings as he gets increasingly old and sick, and his reflections of his own past, which has included his share of misdeeds and mistakes, as he ponders his impending death.
 
The unnamed everyman, while an ordinary man and not a famous novelist, has much in common with Philip Roth; he is born, like Roth, in 1933; he grows up in Elizabeth, six miles away from Roth’s native Newark; and he recounts a series of medical problems and a history of frequent hospitalization similar to that of the author’s.
 
The terrain of this powerful novel — Roth’s twenty-seventh book and the fifth to be published in the twenty-first century — is the human body. Its subject is the common experience that terrifies us all. Everyman takes its title from an anonymous fifteenth-century allegorical play, a classic of early English drama, whose theme is the summoning of the living to death.
 
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KIRKUS REVIEW :
 
Roth follows his recent succession of critically acclaimed novels (e.g., American Pastoral, 1997; The Plot Against America, 2004) with a compact meditation on mortality, which partially echoes his 1991 memoir-novel Patrimony.
 
Inspired by the medieval English allegorical drama whose title it shares, it’s the story of an erring, death-haunted representative man (never named). It begins as his departed spirit observes his own funeral, then weaves backward and forward throughout his past life, envisioned as inevitable progression from virile youth through morally compromised adulthood and middle age, into “his sixties when his health began giving way and his body seemed threatened all the time,” and beyond—into the beyond.
 
This Everyman grows up in Elizabeth, N.J., the son of a benevolent and prosperous jeweler, further blessed by a doting mother and a tirelessly kind and supportive “perfect” older brother. He enjoys a successful career as an advertising agency’s art director, but fails at marriage (losing three wives, as he pursues countless other women), and is almost as disastrous a parent, suffering permanent estrangement from the two sons of his first marriage, but achieving a sustaining relationship with daughter (from his second marriage) Nancy, whose patient filial devotion interestingly parallels that of the medieval Everyman’s character Good Deeds, who accompanies the title character into the realm of Death.
 
This risky novel is significantly marred by redundancy and discursiveness (especially by a surfeit of rhetorical questions), but energized by vivid writing, palpable emotional intensity and several wrenching scenes—for example, encounters in the painting class that he (an amateur artist) organizes for other seniors at his retirement village; a blistering exchange with second wife Phoebe, long aware of his womanizing; a wonderful conversation with a black gravedigger at the cemetery where his parents are buried, where he’ll soon be buried.
 
A rich exploration of the epiphany that awaits us all—that “life’s most disturbing intensity is death.”
 
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About The Author :
 
In the 1990s Philip Roth won America’s four major literary awards in succession: the National Book Critics Circle Award for Patrimony (1991), the PEN/Faulkner Award for Operation Shylock (1993), the National Book Award for Sabbath’s Theater (1995), and the Pulitzer Prize in fiction for American Pastoral (1997). He won the Ambassador Book Award of the English-Speaking Union for I Married a Communist (1998); in the same year he received the National Medal of Arts at the White House.
 
Previously he won the National Book Critics Circle Award for The Counterlife (1986) and the National Book Award for his first book, Goodbye, Columbus (1959). In 2000 he published The Human Stain, concluding a trilogy that depicts the ideological ethos of postwar America. For The Human Stain Roth received his second PEN/Faulkner Award as well as Britain’s W. H. Smith Award for the Best Book of the Year.
 
In 2001 he received the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, given every six years “for the entire work of the recipient.” In 2005 The Plot Against America received the Society of American Historians Award for “the outstanding historical novel on an American theme for 2003—2004.” In 2007 Roth received the PEN/Faulkner Award for Everyman.

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